MOLDER has today shared a new single, titled Bursted Innards, from their forthcoming third album, Catastrophic Reconfiguration. Catastrophic Reconfiguration will be released via Prosthetic Records on November 8, and Bursted Innards follows the Joliet, IL death metal band’s recent Invoking Decay US tour.
LISTEN TO BURSTED INNARDS BELOW.
Stream Bursted Innards via Apple Music, TIDAL, Deezer, Bandcamp and Spotify
Pre-order Catastrophic Reconfigurement here.
Speaking on the new single, Aaren Pantke (vocals / guitar) comments: “Those that have seen us live in the last year should be familiar with this one. This is actually the first song we wrote for the new record and the first new one we started “testing” live. This one is indirectly about my frustrations with being on the road. Balancing “real life” on top of “living the dream”. Being so fed up I could just explode. But what if I did, in a literal sense? Please just excuse the mess…”
The writing process for Catastrophic Reconfiguration included guitarist Carlos Santini for the first time, who brought more of a rounded and dynamic sound to the fold. Despite the new addition, finding time to write was the biggest challenge for the band, mainly due to their rigorous rehearsing and touring schedule for Engrossed, which included runs with Exhumed, Enforced, Jungle Rot and Fulci on top of festival appearances including Maryland Death Fest, Milwaukee Metalfest and Volcanic Strike Hawaii in Maui, to name a few. “Respect to those that tour full time, hold down jobs, and still find the time to be inspired enough to get it done!” remarks Pantke. “That said, we did get it done, it just took a little bit longer than we’d have liked! Once the ball got rolling, it stayed rolling”
Part of the refining of the new album meant going back to a more DIY approach to recording, with this time being done mainly at home with recording engineer, Matt Aguilar. Tracking in our basements injected a vigorous feeling back to the band. “Everyone annihilated their tracks in a matter of hours! Which for us is unheard of,” says Pantke. “This was easily the most prepared and comfortable we’ve ever been while cutting a record, and we owe a lot of that comfort to Matt.” The only setback the band faced was when Pantke broke his nose in an unfortunate incident right before he was set to record his vocals. Once completely healed, he nailed his takes and the tracks were sent off to Greg Wilkinson (Autopsy) at Ear Hammer Studios for mixing and mastering. “Greg was incredibly professional and a joy to work with. It was incredible working with someone so prestigious who so understood what it was we wanted to achieve. Total respect and absolute support to him!” exclaimed Pantke.
The resulting 10 tracks don’t stray too far from the band’s oozing, blistering sound. As usual, it’s chock full of Pantke’s riffs and agonized howls, but that’s not all. It still includes nauseating bass runs from Dominic Vaia, pounding drum performance from Kyle Pooley and mind melting leads from Carlos Santini. Proving their dynamics as a band haven’t deteriorated but have just been given more life. “You can still expect this to be a Molder record,” states Pantke. “Just musically and sonically better than the last! We simply wanted a shorter, nastier, and more professional sounding record than what we’ve done before.”
For the art, which has always been arranged by Pooley, he brought Mexican oil painter, Julian Felipe Mora Ibañez to the group, which they all agreed would be perfect. “The art concept for this record sort of follows the same as Engrossed in Decay, but this time rather than a death through decay, it’s a rebirth in it,” remarked Pantke. “We wanted it to pay homage to the works of Mental Funeral or Dark Recollections, amongst other things of course, but those two references definitely shine through on this particular piece. As far as colors go, we really wanted it to by a nice companion piece to the last record, without completely repeating it.”