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PUPIL SLICER – HEATHER

EYES – MOVING DAY FOR THE OVERTON WINDOW

THUS SPOKE ZARATHUSTRA – I CAN’T SAVE YOU

TÓMARÚM – SHED THIS ERRONEOUS SKIN

DAWN OF OUROBOROS – SLIPPING BURGUNDY

BRAT – BARRACUDA

May 14, 2025

After releasing two new singles ‘Heather/Black Scrawl’ earlier this month, Pupil Slicer have released a brand new music video in support of the singles and their forthcoming tour.

“Black scrawl is the more technical of the two new songs we’ve just released. In the video we’ve opted for a single take video to showcase the individual musicianship of the song that comes together to make this pummelling in your face track. It’s raw and ferocious from the get go and aims to get people moving. We hope you enjoy it!”

May 5, 2025

Pupil Slicer, the critically acclaimed mathcore band known for their boundary-pushing intensity, is back with a new double single, “Heather/Black Scrawl”! Marking the first taste of what’s to come from camp Slicer. These two singles are a testament to the band’s relentless evolution, showcasing their most confident, aggressive, and emotionally charged music to date.

These tracks explore both my own experiences as a non-binary autistic person, as well as the more generalized treatment of many kinds of minorities as a whole.

Check out their new video ‘Heather’

SPOTIFY / APPLE MUSIC / TIDAL / DEEZER / AMAZON

April 24, 2025

One day ahead of its Prosthetic Records debut, SPINNER, Danish hardcore outfit premier the video to the track, Moving Day For The Over Window. Animated, designed and directed by Kenneth Ladekjær (@kennethladekjer), in part funded by The Danish Arts Foundation, the video is an explosion of animation that perfectly fits the chaotic nature of the band.

“This video is a dream come true. Seeing something that once lived only in my head come to life is surreal. Working with Kenneth has been incredible—he turned abstract, metaphorical lyrics into a vivid, exaggerated visual world, all from vague scraps and references. Moving Day For The Overton Window is one of the more ambiguous tracks on SPINNER, and it feels even more relevant now than when I wrote it. It touches on both the political Overton Window—the shifting boundaries of acceptable discourse—and a personal one: what we allow into our own inner monologues. The world is a scary place right now. At least be kind to yourself.”