Skip to main content

THE DAY OF THE BEAST, ‘INDISPUTABLY CARNIVOROUS’, SINGLE OUT NOWT

THE DAY OF THE BEAST have today shared Indisputably Carnivorous – the title track and third single to be taken from their upcoming fourth album of the same name, due for release on June 18 via Prosthetic Records. The US based blackened death metal band have also shared an accompanying lyric video for the track, with the visual further building upon their Lovecraftian horror influenced sound.

Continue reading

WOLF KING SHARE BASS PLAYTHROUGH FOR ‘THE OATH’

WOLF KING have today released a bass playthrough of The Oath – taken from their recently released album, The Path of Wrath. The playthrough is a bittersweet parting gift to fans from the band’s long term bassist Brian Mojica, as he has recently taken the decision to step away from WOLF KING.

Continue reading

DOMINATION CAMPAIGN, ‘A MODERN AGE OF WAR’, OUT NOW

Recent Prosthetic Records signees, DOMINATION CAMPAIGN have today released the second single from their upcoming debut album, Onward To Glory, titled A Modern Age of War. The Tasmanian death metal duo – featuring Jason Peppiatt and Joe Haley from Psycroptic – have also today shared an accompanying lyric video, available to view below.

Continue reading

WRISTMEETRAZOR NEW SINGLE, ‘THIS SUMMER’S SORROW II: GROWING OLD IN THE WAITING PLACE’, PREMIERING NOWw

WRISTMEETRAZOR are today premiering a new single, This Summer’s Sorrow II: Growing Old In The Waiting Place, with an accompanying music video via Knotfest. This Summer’s Sorrow II is the third single to be taken from the band’s upcoming sophomore album, Replica of a Strange Love, due for release via Prosthetic Records on June 11 – showcasing WRISTMEETRAZOR‘s existential take on metalcore.

Continue reading

THE DAY OF THE BEAST, ‘BLACK FORMS MATERIALIZE’, OUT NOW

Recent Prosthetic Records signees, THE DAY OF THE BEAST have today shared Black Forms Materialize – the second single to be taken from their upcoming fourth album, Indisputably Carnivorous, due out on June 18. The blackened death metal band have also shared an accompanying lyric video for the track, with the visual showcasing their horror fiction influences.

Continue reading

THE EMBER, THE ASH, ‘FIXATION’, PREMIERING IN FULL NOW

THE EMBER, THE ASH are today premiering their new album, Fixation, with an accompanying full length visualizer via New Noise Magazine. Fixation is the band’s sophomore album, and follows on from their highly acclaimed 2019 release, Consciousness Torn From The Void. THE EMBER, THE ASH‘s sound straddles the gulf between symphonic black metal and textured metalcore, in a unique blend of ice cold precision and a swirl of enveloping audio textures.

Continue reading

HORNDAL, ‘ROSSEN’ MUSIC VIDEO, PREMIERING NOW

Sweden’s HORNDAL are today premiering a new music video for Rossen via Decibel Magazine, with an accompanying interview. Taken from their recently released sophomore album, Lake Drinker, the animated video was put together by Kalle Haglund (Bruto Studio). Rossen‘s stark warning against big tech and tale of industrial decline is captured with unnerving and captivating aplomb through the high octane visual, as a solitary figure metaphorically embodies Lake Drinker‘s real life...

Continue reading

DOMINATION CAMPAIGN SIGN TO PROSTHETIC RECORDS AND ANNOUNCE DEBUT ALBUM; NEW SINGLE, ‘DEATH BEFORE DISHONOUR’, OUT NOW

Prosthetic Records are pleased to reveal new signing DOMINATION CAMPAIGN – an offshoot from Tasmanian death metal titans Psycroptic – and announce their forthcoming debut album, Onward To Glory, due out on July 9. Accompanying the signing and album announcement, the band have today shared the release’s lead single, Death Before Dishonour, alongside a lyric video.

Continue reading

THE EMBER, THE ASH NEW SINGLE, ‘A GROWING EMPTINESS’, OUT NOW

THE EMBER, THE ASH has today released a new Bandcamp exclusive single, titled A Growing Emptiness, alongside an accompanying lyric video. A Growing Emptiness is the latest song to be taken from their upcoming sophomore album, Fixation, and further explores the project’s blend of symphonic black metal and highly stylized modern metalcore.

Continue reading